Instruments

  • #15

    2024

    This one is a copy of a favorite old fiddle of mine, with a few twists of my own

    Rosewood fittings with a Wittner fine tuner tailpiece and a Corene Composite fingerboard (saves dwindling ebony resources)

    $3800

  • #14

    2024

    Based on a Guarneri model. One piece Maple back harvested in 1984. Rosewood fittings with a Wittner fine tuner tailpiece and a Corene fingerboard. Very clear and strong tone!

    $3800

  • #13

    2023

    I love this one! Bright clear tone but still very rich and resonant. Based on the Guarneri Kreistler model. One piece back, Sonowood reclaimed wood fingerboard and tailpiece. Precision internally geared finetuner pegs.

    $3650

  • #12

    2023

    Based on a Guarneri model. Vibrant rich reddish orange finish with a huge tone. Rosewood fittings. Wittner finetuner tailpiece

    $3600

  • #10

    2022

    Based on a Guarneri model. This one glows! I particularly like the warm, rich brown-orange finish. I added a little flair to the fingerboard. Boxwood pegs and tailpiece seemed to fit this one best.

    $3500

  • #9 The Whale

    This one is my own design, influenced by the Orcas and Humpback whales that migrate through Puget Sound. The corners and f holes have shapes which call to mind dorsal fins, and a whale tail curls up from the peg box. This was so much fun to do! Expect more of these to come!

    $3500 (all proceeds go to support whale conservation)

    SOLD

  • #8

    2021

    Based on the Andrea Amati model from 1566. This is in homage to the creator of what we consider to be the modern violin. I’m amazed that Amati made something five hundred years ago that has not changed all that much. This one has a smaller body than the other models I’ve done, but a true and sweet tone.

    $1800

  • #7

    2020

    Guarneri Kreistler model. This one has a one piece bubble maple back, which I think is gorgeous!

    $1600

  • #6 The Rose

    2020

    Built for my daughter Rose who was starting to get into Irish fiddling. I can’t take credit for the fingerboard inlay, which was done in the workshop of Ellis Mandolins in Austin, Texas. Luckily, I get to see this one at the weekly Irish sessions in Seattle when Rose and I belt out a few Irish tunes

    Not for Sale

  • #5

    2020

    Guarneri Kreistler model. Everything went really well and the varnish was looking great, until I set it in the sun for some last minute curing before setting it up. The Pacific Northwest sun was strong that day, my friends! So strong it burned and bubbled the varnish! So, with this one I did strip off the varnish and started again and I like the end result!

    $1600

  • #3

    2018

    Another go at the Guarneri Kreistler model. I tried something radical on this one and applied color with artist’s oils. This one has a fabulous tone.

    $1250

  • #2

    2018

    This one is the Guarneri Kreistler model. The Guarneri tends to be bigger and fuller in the arching, giving it a deep, rich tone. Paganini favored the Guarneri and I can see why. Much better on the varnish, but I’m still learning.

    $1200

  • Dripsy (#1)

    2016

    My first violin! This is a copy of the Stradivarius Messiah. I learned a ton on this one and the build went very well. The varnish? Not so much! Some drips formed and although I could have stripped it all off and tried to re-varnish I decided to leave it as it is. I named it “Dripsy” after one of my favorite Irish polkas.

    Not for sale